Over a decade ago, Arthur Danto announced that art ended in the sixties. Ever since this declaration, he has been at the forefront of a radical critique of the nature of art in our time. "After the End of Art" presents Danto's first full-scale reformulation of his original insight, showing how, with the eclipse of abstract expressionism, art has deviated irrevocably from the na...(展开全部)

Having set global warming in irreversible motion, we are facing the possibility of ecological catastrophe. But the environmental emergency is also a crisis for our philosophical habits of thought, confronting us with a problem that seems to defy not only our control but also our understanding. Global warming is perhaps the most dramatic example of what Timothy Morton calls “hyp...(展开全部)

In Trouble in Paradise, Slavoj Zizek, one of our most famous, most combative philosophers, explains how by drawing on the ideas of communism, we can find a way out of the crisis of capitalism. There is obviously trouble in the global capitalist paradise. But why do we find it so difficult to imagine a way out of the crisis we're in? It is as if the trouble feeds on itself: the ...(展开全部)

In Trouble in Paradise, Slavoj Zizek, one of our most famous, most combative philosophers, explains how by drawing on the ideas of communism, we can find a way out of the crisis of capitalism. There is obviously trouble in the global capitalist paradise. But why do we find it so difficult to imagine a way out of the crisis we're in? It is as if the trouble feeds on itself: the ...(展开全部)

Présentation de l'éditeur Il faudrait que le dialogue se fasse, non pas entre des personnes, mais entre les lignes, entre des chapitres ou des parties de chapitre. Ce seraient les vrais personnages. Perdre la mémoire : il faudrait plutôt dresser des " blocs ", les faire flotter. Un bloc d'enfance n'est pas un souvenir d'enfant. Un bloc nous accompagne, est toujours anonyme et c...(展开全部)

吉尔·德勒兹（Gilles Deleuze ，1925-1995），法国当代著名哲学家之一，他和法国精神分析学家、哲学家菲利克斯·加塔利（Félix Guattari,1930-1992）以创造众多富有洞见的哲学新概念著称，对形而上学和艺术哲学做出了独特的 贡献。他著有《尼采与哲学》《差异与重复》《意义的逻辑》《电影1：运动与影像》《电影2：时间与影像》等。他与菲利克斯·加塔利合著了《反俄狄浦斯》《卡夫卡》《千高原》《什么是哲学?》，对精神分析和资本主义进行了综合批判，在哲学、文学、绘画、电影等众多领域产生了持续而重要的影响。 克莱尔·帕尔奈（Claire Parnet），法国记者，德勒兹的学生，1988年对德勒兹进行专访，制作“德勒兹哲学ABC”。

吉尔·德勒兹（Gilles Deleuze ，1925-1995），法国当代著名哲学家之一，他和法国精神分析学家、哲学家菲利克斯·加塔利（Félix Guattari,1930-1992）以创造众多富有洞见的哲学新概念著称，对形而上学和艺术哲学做出了独特的 贡献。他著有《尼采与哲学》《差异与重复》《意义的逻辑》《电影1：运动与影像》《电影2：时间与影像》等。他与菲利克斯·加塔利合著了《反俄狄浦斯》《卡夫卡》《千高原》《什么是哲学?》，对精神分析和资本主义进行了综合批判，在哲学、文学、绘画、电影等众多领域产生了持续而重要的影响。 克莱尔·帕尔奈（Claire Parnet），法国记者，德勒兹的学生，1988年对德勒兹进行专访，制作“德勒兹哲学ABC”。

Présentation de l'éditeur Il faudrait que le dialogue se fasse, non pas entre des personnes, mais entre les lignes, entre des chapitres ou des parties de chapitre. Ce seraient les vrais personnages. Perdre la mémoire : il faudrait plutôt dresser des " blocs ", les faire flotter. Un bloc d'enfance n'est pas un souvenir d'enfant. Un bloc nous accompagne, est toujours anonyme et c...(展开全部)

In Nonhuman Witnessing Michael Richardson argues that a radical rethinking of what counts as witnessing is central to building frameworks for justice in an era of endless war, ecological catastrophe, and technological capture. Dismantling the primacy and notion of traditional human-based forms of witnessing, Richardson shows how ecological, machinic, and algorithmic forms of wi...(展开全部)

Over a decade ago, Arthur Danto announced that art ended in the sixties. Ever since this declaration, he has been at the forefront of a radical critique of the nature of art in our time. After the End of Art presents Danto’s first full-scale reformulation of his original insight, showing how, with the eclipse of abstract expressionism, art has deviated irrevocably from the narr...(展开全部)